Top 9 Presonus Eureka Preamp
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Here are some of best sellings presonus eureka preamp which we would like to recommend with high customer review ratings to guide you on quality & popularity of each items.
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Presonus TubePre v2 Tube Preamplifier DI Box
- 12AX7 tube-based preamp with XMAX solid-state input stage
- Gain control and Tube Drive saturation control
- Low-noise dual-servo (no capacitors) gain stage
- Separate instrument and mic inputs
- Phantom power, HP filter, -20 dB pad, and polarity-reverse
- Compact 1/3U rack-mount chassis
Twist the TubePre V2 Drive saturation control and add the “color” that only a hand-selected 12AX7 vacuum tube can deliver— from gentle warmth to total fuzz. Unlike other compact tube preamps, TubePre V2 starts with the low noise, high headroom Class A XMAX preamp input stage found in our premium interfaces and digital mixers. Discrete components and high-voltage operation deliver best-in-class dynamic range and detail not found in other single-channel tube preamps.
PreSonus BlueTube DP V2 2-channel Mic/Instrument Tube Preamp
- Dual path, with both 12AX7 vacuum tube and solid-state gain stages
- Combo mic/instrument inputs with Class A XMAX mic preamplifiers and 48V phantom power
- Tube Drive tube-saturation control
- Illuminated analog VU input-level meter
- 80 Hz high-pass filter, -20 dB pad, Polarity-reverse switch
- Compact 1/2U rack-mount chassis
Enjoy solid-state clarity or tube warmth with the BlueTube DP dual-path mic/instrument preamp, which features both PreSonus’ classic Class A XMAX solid-state mic preamplifier and a high-output,12AX7 tube preamp that operates on voltages double that of other preamps in its class, providing lots of headroom and big tone. A Tube Drive control produces anything from gentle warmth to edgy distortion. With two combo mic/instrument inputs, the half-rackspace BlueTube DP is a great choice for guitars and basses as well as vocals.
Pro-Ject Phono Box MM DC Phonograph Preamplifier,Black
Since many modern amplifiers no longer have a dedicated phono input, the phono box mm from Pro-Ject is the perfect addition to your turntable setup. Compatible with nearly any moving magnet cartridge, the phono box mm gives you a superb audiophile music experience at an entry-level price. The utilization of advanced circuitry keeps noise and distortion extremely low, and the metallic case and outboard DC power supply keeps the unit free from electromagnetic interference. Since it’s only slightly larger than a pack of playing cards, the phono box mm can be placed nearly anywhere. The RCA input and output sockets are gold-plated to preserve sound quality and can be connected directly to any line-level input (aux, CD, Etc.) on your amplifier.
Pyle Phono Turntable Preamp – Mini Electronic Audio Stereo Phonograph Preamplifier with RCA Input, RCA Output & Low Noise Operation Powered by 12 Volt DC Adapter – PP999
- CONVERTS PHONO SIGNALS: A turntable preamp that converts phono signals to Line Level Signals. This state-of-the-art circuitry phono preamp can accommodate magnetic pickups with an input sensitivity of 3mV at 50K Ohms
- LOW NOISE OPERATION: Offers outstanding performance with it’s Low-Noise Audio Operational Amplifiers. The output is 2V max (P-P) at 10K Ohms. It’s better to position the preamp close to the source to reduce unwanted noise and interference
- CONNECTS TO TURNTABLES: Connect any turntable to modern sound equipment without specialized phono input for amplifying music. For the receiver, this can be connected to speakers, computers, laptops and more
- SIMPLE PLUG & PLAY: This mini preamp has stereo RCA inputs and stereo RCA outputs. Connect the turntable to the RCA inputs and ground. Then, connect the amplifier receiver to the RCA outputs
Rockville PPA20 Preamp Professional 1U Rack Mount Pre-Amplifier w/Crossover+EQ
- Rockville PPA20 Rack Mount Pre-Amplifier. 1U Rack Size. 1/4″ microphone input. RCA PHONO / AUX1 / AUX2 / AUX3 / AUX4 / AUX5 inputs. 1/4″ headphone output. RCA REC / LINE outputs. XLR master output ( left, right ). Headphone volume & Microphone volume controls. 3 band EQ (Treble / Mid / Bass). Master volume. L / R balance. Input source switch. Mono / Stereo switch. Mute.
- Low cut crossover control allows you to cut off certain frequencies which comes in handy when using turntables, subs, and other gear. This function will allow you to play your music louder, with lower distortion and make your speakers last longer. Treble / Bass control. Loudness compensation circuit which at low-to-medium volume boosts the bass and treble response. Tape Monitor . Ground lift switch.
- Unit dimensions: 18.89” x 6.49” x 1.73” inches. Unit weight: 4.43 lbs. Shipping dimensions: 20.47” x 8.46” x 4.33” inches. Shipping weight: 5.73 lbs. 110/220 switchable power supply (fuse: 0.2A)
- Inputs Sensitivity/Impedance. Mic: 1mV / 3 Kohms. Phono: 3mV / 47 Kohms. Tape, Tuner, CD, Aux: 150mV / 22 Kohms. Output/Impedance. Tape Rec: 150mV / 3 Kohms. Pre Output: max. 11V / 1 Kohms. Total Harmonic Distortation. Mic: less than 0.02%. Phono: less than 0.04%. Tape, Tuner, CD, Aux: less than 0.01%. Signal To Noise Ration. Mic: more than 70 dB. Phono: more than 90 dB. Tape, Tuner, CD, Aux: more than 100 dB.
- Frequency Response: 5Hz . 30kHz +0, -3 dB. Bass: 12dB at 100Hz. Midrange: 9dB at 1 Hz. Treble: 12dB at 10kHz. Loudness: 9/0/+9dB at 100/1k/10kHz. Mute: 20dB. Power: 120V or 230V, 50/60Hz. Power Consumption: 15W.
Rockville PPA20 Rack Mount Pre-Amplifier
1U Rack Size
1/4″ microphone input
RCA PHONO / AUX1 / AUX2 / AUX3 / AUX4 / AUX5 inputs
1/4″ headphone output
RCA REC / LINE outputs
XLR master output ( left, right )
Headphone volume & Microphone volume controls
3 band EQ (Treble / Mid / Bass)
Master volume
L / R balance
Input source switch
Mono / Stereo switch
Mute
Low cut crossover control allows you to cut off certain frequencies which comes in handy when using turntables, subs, and other gear. This function will allow you to play your music louder, with lower distortion and make your speakers last longer
Treble / Bass control
Loudness compensation circuit which at low-to-medium volume boosts the bass and treble response
Tape Monitor
Ground lift switch
Unit dimensions: 18.89” x 6.49” x 1.73” inches
Unit weight: 4.43 lbs
Shipping dimensions: 20.47” x 8.46” x 4.33” inches
Shipping weight: 5.73 lbs
110/220 switchable power supply (fuse: 0.2A)
ART Pro Channel II Microphone Preamp/Compressor/EQ Professional Tube Based Selectable VU Metering
- Professional Tube-Based Microphone/Line Recording Channel.
- Three independent World-Class modules: tube mic pre, switchable optical/tube compressor, and tube EQ
- Warm, Smooth, and Silky Sound Quality. Precision Detented Potentiometers.
- Selectable VU Metering (mic pre out, compressor out, or Main Out).
The Pro Channel from ART is the latest offering from the world’s most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product – creating the world’s best-sounding and most affordable professional recording channel. The Pro Channel features many new and exciting design enhancements to ART’s pro and home studio staples, including the addition of a tube circuit to the compressor module. The Pro Channel allows you to select between ART’s award winning optical/tube compressor or the coveted tube circuit (a design made popular by the sound of the old broadcast limiters – now costing thousands of dollars). The tube circuit is fast, fat and a bit aggressive, and is guaranteed to become a legend among compressors as has the Pro VLA. The four-band parametric equalizer has selectable Q for the two sweepable mid-bands. As with all design elements of the Pro Channel, these Q options were fine-tuned by some of the industry’s top studio and live-sound engineers. Likewise, all new additions were made without compromise to the sound of the original designs (Pro MPA, Pro VLA, Tube EQ), which have become standards in professional studios and FOH rigs around the globe. The Pro Channel defines the term “channel strip.” The Pro Channel is an impressive package from the world-wide leaders in tube dynamics signal-processing gear. Pick one up and catch your own tube-buzz at your favorite ART dealer today.
PreSonus AudioBox USB 96 2×2 USB Audio Interface
- Bus-powered USB 2.0 audio and MIDI interface
- Compatible with almost all recording software for Mac and Windows
- 24-bit resolution
- 44.1, 48, 88.2, and 96 kHz sampling rates
- 2 combo mic/instrument inputs with high-performance, low-noise, high-headroom mic preamplifiers
- Includes Studio One Artist DAW software and 6+ GB of third-party resources
- Includes the Studio Magic Plug-In Suite
- Frequency Response is 20 Hz to 20 kHz
A great choice for mobile musicians and podcasters, the 2-channel AudioBox USB 96 is bus-powered, compact, ruggedly built, and works with virtually any PC or Mac recording software. It boasts high-performance Class A mic preamplifiers and professional-quality, 24-bit, 96 kHz converters. And it comes with PreSonus’ amazing Studio One 3 Artist DAW software for Mac and Windows.
Cloud Microphones – Cloudlifter – CL-2 Dynamic/Ribbon Mic Activator Inline Preamp – Handmade in the USA
- Ultra-Transparent World Class Design
- Ideal For Low Output Passive Dynamic/Ribbon Microphones
- Turns Phantom Power into +25db Inline Pre-Amplification
- Free lifetime limited warranty for parts and labor, with registration
- A Must-Have Tool for Dynamics and Ribbons
2-Channel +25dB in-line microphone preamplifier.
PreSonus DigiMax DP88 8-channel A/D/A Converter with Remote Preamps
- Flawless analog signal path with top-quality 118 dB digital conversion
- 24-bit resolution and up to 96 kHz sampling rate
- 8 digitally controlled XMAX mic preamps, controlled via MIDI or UC-Surface for iPad (when connected to PreSonus Studio 192)
- 8 balanced, direct A/D line-level inputs (DB25)
- 8 balanced DAC outputs (DB25) to expand your interface outputs
- Perfect for expanding any interface with ADAT i/o including Studio 192 and others from Universal Audio, Apogee, Focusrite, more
The DigiMax DP88 expands the analog connections of any audio interface with ADAT I/O, delivering pristine audio quality up to 96 kHz. Eight digitally controlled, analog XMAX preamps can be controlled from the front panel and remotely via MIDI. When connected to a PreSonus Studio 192 interface, the preamps can also be controlled from Studio One 3 or UC Surface software. Direct A/D inputs let you connect external devices directly to the converter. Use DAC outputs for monitor mixes and more.
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